Karolingische Klosterstadt http://karolingischeklosterstadt.com/ Wed, 21 Jul 2021 20:49:02 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 http://karolingischeklosterstadt.com/wp-content/uploads/2021/05/karolingische-klosterstadt-icon-150x150.png Karolingische Klosterstadt http://karolingischeklosterstadt.com/ 32 32 Funny Papers Again review | It was Friendly on the Alluvial | Salinas Valley Tribune http://karolingischeklosterstadt.com/funny-papers-again-review-it-was-friendly-on-the-alluvial-salinas-valley-tribune/ http://karolingischeklosterstadt.com/funny-papers-again-review-it-was-friendly-on-the-alluvial-salinas-valley-tribune/#respond Wed, 21 Jul 2021 20:25:01 +0000 http://karolingischeklosterstadt.com/funny-papers-again-review-it-was-friendly-on-the-alluvial-salinas-valley-tribune/

A few years ago I had a friend who owned a plane in Greenfield, but I wasn’t worried about flying on a small boat so I had plenty of opportunities to see the valley and surrounding area from the sky . I spent the first 19 years of my life in the city, so like all of us, I got to know my surroundings as I grew up around me.

When we are a little crumbs tinkering with the novelty of curiosity, we learn the path of houses and gardens, and as we age new environments soon appear and pass by. You can navigate the alleys, vacant lots, etc. Some houses and gardens of our neighbors. Our world grew when walking replaced bicycles. And in Greenfield, which means park, two rivers and canals have become accessible for long summer excursions for young people and adventurers.

Growing up, we are all car passengers, parents, relatives of friends, and sometimes school buses. In Greenfield, the farmlands around town and the children of Arroyoseko went to school by bus all year round, but we city dwellers only took special occasions. It was around this time that we became more and more familiar with the valley, its highways and paths until we knew the surroundings for miles. The world was our oyster, as they say, when we finally hit the magical age of 16 and were able to drive a car without adults, and we were in many counties in it. And I noticed more and more of them on the daily driving range of the alley.

But from a bird’s eye view to a view of the area, you can see the terrain, the location of the land, and how those factors influenced the birth of the city. In all other cases, the city of Salinas Valley was fixed according to the Southern Pacific Railroad line. Charler, Soledad and Gonzales are all located next to and east of the railroad tracks, King City is west of the railroad tracks, but Greenfield is two miles west of the railroad tracks. This also applies to these towns and the Salinas River, where everything except the Greenfield is located east of the creek. The reason was that when the railroad tracks were laid the best route down the valley was to go to the hills southeast of Soledad to avoid flooding when the Arroyoseko and Salinas rivers meet during the rainy season. .

The area was known as the Three Mile Flats before the California Home Extensions program sold land for Clark City, later Clark Colony, and later Greenfield. This is because the city is located in the alluvial plain, formed by the flow of the Arroyoseko River for thousands of years. As you head north on El Camino Real you will descend the plain between Thorn Road and Hudson Road. When exiting Elm Avenue East, Drop is just past Third Street. And as we head south, the decline begins on Elm Avenue. But the route to the west is the climb to the Arroyo Seco canyon and the Sierra de Salinas mountains. What always surprised me from the sky is that the town of Greenfield was irrelevant in my humble opinion. Not as lost and out of place, but as if it had been founded in the wrong place. It should be about 2 miles to the west.

If the Founding Members sell the first plot along the East Bank of the Arroyoseko River Cabin, the city’s northern border will be Thorn Avenue, and Peach Road and 16th Avenue will be the western border. I think Peach, 15th and 16th avenues were devoured by private interests many years ago, but they are still present on many maps. Elm continues to be the southern border, but to the east it is very different from the current Business 101 and Highway 101 routes, far from downtown. If this was the start, it’s certainly worth guessing how the city grew, but I think the city would have benefited from a more western education.

*** ***

The origin of the above thoughts came from communication with longtime peers. In this case, I met at Greenfield Elementary School around 1957, graduated from high school together, and had an intimate relationship for decades. This is not uncommon in the world of friendship. There are many relationships that have survived over the years, but there are many more names and faces that were once known a long time ago far from the valley. Leave or plant below.

In one of our recent chats, we talked about how many kites we’ve seen recently. A kite is a soft toy that floats in the air, so it seems like it can’t counter the excitement of video games and skateboarding. But on the street where our herd grew up, we knew the kites were flying, and in those dark times we had the space to perform our aerial entertainment. I had it.

As I was writing, from the late 1950s to the early 1960s of the last century, Greenfield Fifth Street, from Oak Street to Palm Street, was full of homes from the East. However, there were only four houses on the west side of the street. One is facing the orcs, the other is behind, there is a small house in the middle of the block and the other is facing the fifth at the corner of the palm. The rest of the road to the alley was wasteland under the large open space, with the wind source directly behind us. Every summer in kite paradise, seven or eight people sometimes compete for air space.

Maybe someone will be interested in kite flying again. You never know, maybe it’s for people to come together and enjoy a little bit of entertainment that doesn’t offend, explode, enthusiastically, slap or otherwise offend.

take care. peace.

Funny Papers Again review | It was Friendly on the Alluvial | Salinas Valley Tribune Source link Funny Papers Again column | It was Friendly on the Alluvial | Salinas Valley Tribune

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Cushman & Wakefield Facilitate $ 17.4M Sale of North Scottsdale Retail Site http://karolingischeklosterstadt.com/cushman-wakefield-facilitate-17-4m-sale-of-north-scottsdale-retail-site/ http://karolingischeklosterstadt.com/cushman-wakefield-facilitate-17-4m-sale-of-north-scottsdale-retail-site/#respond Wed, 21 Jul 2021 20:20:00 +0000 http://karolingischeklosterstadt.com/cushman-wakefield-facilitate-17-4m-sale-of-north-scottsdale-retail-site/

Posted

Cushman & Wakefield announces that the company has negotiated the sale of Chauncey Lane Marketplace, a newly constructed Class A office and retail building in north Scottsdale.

The high-image asset totals 34,963 square feet over three floors and was acquired by Los Angeles-based Ronal, LLC for $ 17.4 million, according to a press release, noting the seller as Chauncey Retail Partners, LLC. Cushman & Wakefield’s Eric Wichterman and Mike Coover negotiated the deal

“Chauncey Lane is a rare mixed-use development featuring an exceptional and synergistic mix of retail and office tenants,” said Eric Wichterman, executive general manager, in a prepared statement. “Recently built in 2019, this trophy property has had strong rental success in the office and retail segments in 2020 and 2021.”

Chauncey Lane, at 17757 and 17767 N. Scottsdale Road, was developed in 2019 by Creation, an alternative development and investment firm led by David Sellers and Bob Agahi, and local investors Mike and Bret Anderson, according to the release. .

Chauncey Lane features a “dominant street identity” along Scottsdale Road, according to the release, noting that retail uses within the property include breakfast, a lounge bar, and a salon / spa. Office users occupying the property include financial advisors, a law firm, a residential development company, and a dental practice.

“The project provides a great flagship location for retailers, coupled with premier office space, well placed in a powerful Scottsdale Airpark shopping area. In addition, the property is surrounded by large upscale neighborhoods as well as tourist, sports and entertainment attractions, ”Coover said.

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States reach $ 26 billion deal with wholesalers, J&J over opioid lawsuits http://karolingischeklosterstadt.com/states-reach-26-billion-deal-with-wholesalers-jj-over-opioid-lawsuits/ http://karolingischeklosterstadt.com/states-reach-26-billion-deal-with-wholesalers-jj-over-opioid-lawsuits/#respond Wed, 21 Jul 2021 18:58:45 +0000 http://karolingischeklosterstadt.com/states-reach-26-billion-deal-with-wholesalers-jj-over-opioid-lawsuits/

TThree of the largest pharmaceutical wholesalers and a major drugmaker have reached a $ 26 billion deal to settle state government lawsuits accusing companies of fomenting the opioid crisis, which has left half a million deaths in nearly two decades.

As part of the settlement, the wholesalers – McKesson (MCK), AmerisourceBergen (ABC) and Cardinal Health (CAH) – will pay up to $ 21 billion over the next 18 years, while Johnson & Johnson (JNJ) has agreed. to pay up to $ 5. billion over nine years and exit the opioid industry. More than 40 states are expected to accept the settlement, according to North Carolina Attorney General Josh Stein.

About 3,000 lawsuits from states, counties, cities and tribes claimed wholesalers failed to monitor suspicious shipments. Drugmakers have been accused of downplaying the risk of addiction to opioid pain relievers while encouraging doctors to over-prescribe the drugs.

publicity

More than 93,000 people died from drug overdoses in 2020, a 30% increase from 2019 and the highest number on record, according to data from the Centers for Disease Control and Prevention. The toll has strained communities across the country as they sought to cope with the costs of overdoses and deaths. A substantial portion of the settlement funds should be spent on opioid treatment and prevention.

“This epidemic was created by an army of pharmaceutical executives, who decided they wanted to put their profits before the health and well-being” of the public, “Pennsylvania Attorney General Josh Shapiro said at a press briefing announcing the settlement. The deal makes no mention of criminal charges, however, and New York Attorney General Letitia James declined to comment when asked if charges could be laid at a later date.

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State governments have 30 days to sign the deal and if enough of them choose to accept the deal – which plaintiffs’ lawyers call “critical mass” – the next step requires a sufficient number of governments. locals accept the deal. Local governments will have an additional 120 days to do so. If the proposed regulations remove those barriers, it can continue. Native American tribes are not part of the deal, however.

In total, states expect they will reach about $ 32.7 billion in settlements with opioid manufacturers and wholesalers, according to Stein. The wholesalers had already struck a $ 215 million deal with two Ohio counties, for example. And litigation continues in various courts across the country, including West Virginia, New York and California.

The settlement, which had been negotiated for nearly two years, was greeted with caution by a coalition of public health groups who earlier this year released a set of guidelines for the use of settlement funds. These included investing in local health programs; rely on medical evidence to better deploy the money; invest in prevention among young people, focus on racial equity and develop a fair and transparent decision-making process.

“Billions of dollars in opioid settlement funding will provide states and communities with a unique opportunity to address critical gaps in our current infrastructure for prevention, treatment and recovery. By following these five core principles, states can ensure that this funding will support evidence-based approaches that can have a lasting impact on the substance abuse crisis, ”said Mark McClellan, who heads the Duke-Margolis Center for Health Policy and a former Centers for Medicare & Medicaid Administrator, in a statement.

The regulations also provide for the creation of a centralized and independent clearinghouse to provide wholesalers and state regulators with aggregated data on where and how often drugs are shipped. The aim is to eliminate “blind spots” in current distribution systems. Companies should also crack down on suspicious drugstore orders and step up monitoring of anti-diversion programs.

Meanwhile, Purdue Pharma, which marketed OxyContin, is awaiting an Aug. 9 hearing on its bankruptcy proposal. As part of his plan, some members of the Sackler family who own the drug maker would contribute more than $ 4.3 billion to compensate people and local governments who have been harmed by his opioid pain reliever.

Additionally, Purdue will be liquidated or sold by 2024, the Sacklers will be banned from the opioid business, and they will have to cede control of the family foundations to an independent trustee. In return, members of the Sackler family will be granted immunity from further prosecution. The proposal has sparked backlash among some state attorneys general, who argue that the Sackler family members walk away with considerable wealth.

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Process Art for Kids: What Parents Need to Know | K12 schools http://karolingischeklosterstadt.com/process-art-for-kids-what-parents-need-to-know-k12-schools/ http://karolingischeklosterstadt.com/process-art-for-kids-what-parents-need-to-know-k12-schools/#respond Wed, 21 Jul 2021 12:59:00 +0000 http://karolingischeklosterstadt.com/process-art-for-kids-what-parents-need-to-know-k12-schools/

Household items, scrap paper and writing materials can be all it takes to get curious children to express their creativity. Artistic exploration isn’t confined to a classroom, experts say; parents can involve their kids from kindergarten to grade 8 in process art activities at home that allow them to experiment with everyday materials and use their imaginations.

The art of the process versus the art of the product

Process art can “refer to any creative activity that emphasizes exploration and experimentation, rather than focusing on a predetermined outcome or product,” says William B. Crow, director of art galleries at Lehigh University in Pennsylvania and a practicing professor in the Department of Art, Architecture and Design.

Crow, who previously oversaw educational programming for all ages at the Metropolitan Museum of Art in New York City, says process art allows children the freedom not to be overwhelmed by the criteria of an end product. While parents can help with the installation, children are in control of their artistic direction and are guided by their own discovery rather than expectations or judgments.

In comparison, product art refers to more structured and results-oriented activities. They are often led by adults and have clear examples and guidelines for the final work.

However, product art and process art are not opposed. In Pooja Bakri’s experience as a Certified Creative Arts Therapist in Montclair, New Jersey, “Kids often have a vision in mind and the product is always part of what they do. The end product can also be a source of self-discovery and a starting point for reflection and discussion, says Bakri.

What are the benefits of the art of process?

From using scissors to explaining creative choices, children in elementary through middle school can benefit from the art of the process by improving developmental skills such as verbalization, motor skills, spatial reasoning, social expression. -emotional and more, according to experts. Kids can also apply critical thinking to draw parallels between the visual arts and another field like math, science, language arts, and social studies.

Sean Murphy, an art teacher at Samuel W. Tucker Elementary School in Alexandria, Va., Often makes the connection between the art program and his students’ other classes. When kids are learning quadrilaterals in math, for example, her class focuses on the abstract and real uses of form. Making these connections, he says, allows students to ask deeper questions and approach their works from an interdisciplinary perspective.

The artistic process can also open conversations about artists, art and culture from around the world. Children benefit from exposure to different cultures and can learn about their own cultural identity through art, says Murphy.

A great advantage of process art, says Bakri, is that children can “express themselves in a way that comes more naturally” – it allows them to externalize their thinking through visual expression. Crow agrees, noting that “when we engage in the art of process, in many ways we extend the reach of our mind. We really make the invisible visible. We try to articulate things that aren’t. ‘did not exist in the world before. ”

How can parents of K-8 students facilitate the art of the process?

For parents and guardians of elementary and high school students, here are four tips for taking a step back and allowing children the freedom to learn and play through the art of process:

  • Use common materials found at home.
  • Come up with a general theme.
  • Consider different approaches depending on age.
  • Ask open-ended questions.

Use common materials found at home

“Children have a wealth of ideas and imaginations,” says Bakri, and she is delighted to see them put together something she never thought she would create. Interesting and unique materials invite exploration, which means art materials don’t have to start and end with paint and markers.

Experts suggest giving children a lot of different options, which don’t have to be expensive or high-quality. “By using non-traditional and inexpensive materials,” Crow says, “you are communicating the message that art and artistic creation does not depend on access to expensive and highly specialized materials, but can be made from the material. daily.”

Here are some ideas to get started:

  • Wire
  • Leaves
  • Rocks
  • Colored masking tape
  • Shaving cream
  • Plastic utensils
  • Paper plates
  • Cookie sheets
  • Cotton balls

For inspiration, Crow suggests looking at the works of various artists and researching the materials they used. Then, rather than trying to imitate or replicate the work, children can experience these materials themselves and learn more about the process.

Many local art museums have in-person and online resources for parents to help children start thinking about materials for different works of art. If a parent isn’t sure where to find their local art museum, Crow suggests checking out the American Alliance of Museums or looking for local college and university galleries across the Association of University Museums and Galleries.

Provide a broad theme

While parental advice is helpful in starting art activities, experts say it’s important not to lead a child’s art with specific prompts or instructions. Instead, one way to start the creative flow is to simply ask, “What can we do with these materials? And let a theme form naturally.

In his therapy sessions, Bakri uses a simple word or phrase such as “dream,” and from there children can think about the concept as it applies to them. They can consider the feelings the word or phrase evokes and take their art in any direction without the weight of a parent’s expectations.

Keeping the theme broad can lead to healthy emotional expression, says Bakri. “We can’t assume that we know what’s going on with a child or their feelings. We can see something on the outside that looks like anger, but on the inside it’s actually frustration. or sadness. ”

The art of the process can allow children to freely show parents their inner thoughts and emotions, without a child having to respond verbally or even make eye contact if they are uncomfortable.

Consider different approaches depending on age

Experts suggest that parents who facilitate the art of the process consider the ages of their children so that their approach is developmentally appropriate.

Kindergarten to grade four. Elementary school children are often very direct and sincere in the way they communicate. “They’re also very keen to tell stories about what they notice,” Crow says. He recommends that parents encourage their young children to use these impulses in their art.

Likewise, Murphy wants his elementary students to ask lots of questions about art. When drawing inspiration from other works of art, he guides discussion from concrete concepts such as “Let’s identify what we see” to more abstract ideas by asking children to make educated guesses about the process and the process. intention behind a work. For example, he will make them finish the statement: “Because I see this, this is what I wonder …”

Bakri often incorporates a lot more play into his sessions with younger children, who typically have higher energy. She can read a story, make art and play with different tactile materials in one session to meet children’s needs for various stimulation.

From the fifth to the eighth year. When children reach their early teens, social pressures and peer outreach can sometimes inhibit their creative practices, Crow explains.

Along with his fifth graders, Murphy enjoys encouraging experimentation and failure to promote confidence. By the end of grade five, her students used the same sketchbooks throughout elementary school, allowing them to reflect on their growth and try iterations of work. Errors are welcome.

In practice, says Bakri, “adolescents are able to concentrate a little more and they often need a lot less direction.” They can usually work on a project that lasts several weeks and look at the different layers involved.

Ask open-ended questions

The art of the process is learner-centered and, as such, “should be guided by the intrinsic motivations of the learner,” Crow explains.

Parents often ask outcome-oriented questions with a “yes” or “no” answer. It may take a bit of practice to ask open ended questions that Crow says “really encourage a young person to tell a story, or develop an idea, or explore all the different possibilities.”

Bakri suggests the following: “Rather than interpreting or saying, ‘Oh, that sounds like this,’ ask a really open-ended question, like, ‘What inspired you? “” The question then becomes more of a conversation than a directive, and that keeps the process playful and the child present in the moment.

She also recommends making specific observations, such as, “I see you are working really hard on this part. ”

Murphy agrees, noting that “giving them encouragement that isn’t ‘what a pretty picture,’ but rather emphasizing how hard they’ve worked” places importance on their problem-solving abilities.

Finally, parents can also ask their children to ask them questions. “Children are asked questions all the time and are told what to do,” says Bakri. Process art allows them to turn the tide and control their works – and their emotions.

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Flick Electric Says It Is Not Accepting New Customers Due To “Unsustainable” Wholesale Prices http://karolingischeklosterstadt.com/flick-electric-says-it-is-not-accepting-new-customers-due-to-unsustainable-wholesale-prices/ http://karolingischeklosterstadt.com/flick-electric-says-it-is-not-accepting-new-customers-due-to-unsustainable-wholesale-prices/#respond Wed, 21 Jul 2021 05:08:41 +0000 http://karolingischeklosterstadt.com/flick-electric-says-it-is-not-accepting-new-customers-due-to-unsustainable-wholesale-prices/
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Flick Electric CEO Steve O’Connor. Photo / Supplied

Flick Electric, who was named energy retailer of the year, says it is unable to take on new customers due to high wholesale electricity prices.

In an update to its customers today, the Wellington-based company, majority owned by Z Energy and Eastland Energy, said the move was temporary and would not affect its 27,000 existing customers.

“High wholesale prices mean it is no longer affordable to purchase electricity blankets in advance to cover new customers,” the company said.

“It says a lot about the state of New Zealand’s electricity market when Consumer NZ’s Energy Retailer of the Year for 2021 (that’s us) can’t accept new customers.”

Managing Director Steve O’Connor said there was no way to buy term coverage for clients at a price that made sense to both parties.

“It really reflects those forward prices, so it doesn’t make sense from a business point of view or a customer point of view to provide a price to new customers that doesn’t make sense to them or to them. we.”

The company was started to give retail customers direct access to the wholesale market, but in 2018 it started offering a covered product. The “vast majority” of its customers were now on the product covered, O’Connor said.

Markets have suggested wholesale prices will remain at unusually high levels for years, O’Connor said.

“We’ve been dealing with volatility and pretty high prices for quite a while now and if you look into 2024 – that’s how far the ASX goes in terms of futures, they stay insanely high and that are indeed prices that are unaffordable for new customers. “

O’Connor said it was clear from the Power Switch website (run by Consumer NZ to promote customer switching) that no independent retailer is looking to take on customers.

“It really takes the competition out of the market pretty quickly.”

Kerry McDonald, who served on Transpower’s governing board in the 1990s, said this week that the problems in the electricity market stemmed from the government ignoring his advice. He said that the problems now came up often, it was only a little worse than usual.

O’Connor said the market was showing “the same old problems”, but after looking at prices in the wholesale market since its inception, he thought the current situation was “completely unprecedented” and unsustainable.

“This not only affects independent retailers and their ability to compete, but it also impacts large industrial users. We are destroying productivity,” O’Connor said.

“Our view is that it highlights systemic issues that need to be addressed either by the government or by the acting Electricity Authority.”

Flick has started a petition calling for a structural separation of the electricity market, dividing the major utilities into separate generation or retail businesses.

This week, Meridian, by far New Zealand’s largest producer – which also has a significant retail business, notably through its subsidiary Powershop – rejected calls, saying a campaign was underway to discredit the vertically integrated model. .

“The two most vocal independent retailers, Flick and Electric Kiwi, are both backed by major companies that have the capacity to support new renewable builds, which would allow them to manage their risks more effectively,” said a spokesperson for Meridian.

O’Connor said the argument was patently flawed.

“It is inappropriate to say that just because we are a retailer that we should invest in production. The market is designed to accommodate those who want to specialize in retail.”

“Our market was designed to accommodate independent retailers,” he said. Retailers were typically customer-centric companies with a digital focus, while retailers were specialized engineering firms with a focus on capital management.

“It doesn’t make sense. It’s like saying Noel Leeming has to invest in washing machines. No, actually Fisher & Paykel are doing it. They are doing it very well.”

The Electricity Authority is examining the functioning of the wholesale spot and forward market. The results are expected to be released in about two months.

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Is It Time For Retailers To Reinstate Pandemic Protocols? – RetailWire http://karolingischeklosterstadt.com/is-it-time-for-retailers-to-reinstate-pandemic-protocols-retailwire/ http://karolingischeklosterstadt.com/is-it-time-for-retailers-to-reinstate-pandemic-protocols-retailwire/#respond Tue, 20 Jul 2021 21:33:45 +0000 http://karolingischeklosterstadt.com/is-it-time-for-retailers-to-reinstate-pandemic-protocols-retailwire/

Jul 20, 2021

The US stock market posted one of its worst performance of the year yesterday as investors reacted to the rapid spread of the Delta variant across the country, particularly in areas where a large percentage of the population does not has not yet been vaccinated against the virus. The Dow Jones Industrial Average tear down 800 points, 2.4 percent.

Centers for Disease Control and Prevention reported that daily COVID-19 cases have averaged nearly 30,000 over the past seven days compared to the weekly average of 11,000 last month. Health officials are reporting an “unvaccinated pandemic” with areas such as Springfield, MO, and others seeing hospitalizations and deaths approaching figures from last winter before vaccines were readily available for the patient. public.

Traders have relaxed many protective measures put in place during the most severe months of the pandemic. Many stores no longer require buyers or associates to wear masks, and social distancing measures have become a thing of the past in many places. Many chains, which had instituted high-profile hours to protect the most vulnerable members of society from the spread of COVID-19, have cut back or abandoned programs as state health officials relax rules with the deployment of vaccinations.

Costco, which previously announced it was going to end business hours, posted a message on its site yesterday saying it would continue to allow people 60 years of age or older or immunocompromised to shop on Tuesdays and Thursdays between 9 a.m. and 10 a.m. am local time before opening to all members. The channel said it would continue to follow national and local regulations regarding the wearing of masks.

Los Angeles County California ad that it would now require all people two years of age or older, vaccinated or not, to wear face masks in indoor public places. The government took the step after seeing local cases increase among unvaccinated residents in the area.

The majority of new COVID-19 cases have been linked to unvaccinated cases but so-called breakthrough cases, where vaccinated individuals contracted the virus, are also of concern. CDC reports that of the more than 159 million Americans vaccinated as of July 12, approximately 5,200 have been hospitalized, the majority of whom are 65 years of age or older (4,109).

DISCUSSION QUESTIONS: What should retailers do to protect associates and customers as COVID-19 cases resume, especially in areas where residents refuse to get vaccinated or wear masks? Should the stores that suspended so-called “hero wages” bring them back in light of the growing threat?

Braintrust

“Retailers must do what is necessary to protect their employees and customers in the spirit of the common good, even if it is an unpopular decision.”

“Yes! Bring back the mask! Why not be careful rather than sorry? I have been vaccinated, but I still wear a retail mask.

“By having the ‘masks not required for the vaccinated’ and the ‘masks required for the unvaccinated’, retailers create very visual (and impossible to enforce) intra-group / outdoor groups.”

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Is this weird costume a “Siberian Bear Hunting Costume”? http://karolingischeklosterstadt.com/is-this-weird-costume-a-siberian-bear-hunting-costume/ http://karolingischeklosterstadt.com/is-this-weird-costume-a-siberian-bear-hunting-costume/#respond Tue, 20 Jul 2021 17:48:06 +0000 http://karolingischeklosterstadt.com/is-this-weird-costume-a-siberian-bear-hunting-costume/

In recent years, web surfers and historical curiosity buffs have marveled at a bizarre, if not sinister, costume covered in spikes from head to toe, which is most often described as a “Siberian bear hunting costume.” from the 1800s ”.

Enthusiasts have repeatedly posted the same distinctive black-and-white photograph of the outfit, to the popular Reddit online forum: in 2019; 2018; and 2014. The messages still refer to the object as a “Siberian bear hunting costume” and date it largely to the 19th century, as shown in the example below:

The remarkable photograph, and its description as a 19th century Siberian bear hunting costume, has enjoyed a to reinforce online in 2012, after being featured on the popular, now defunct, website retronaut:

He even inspired a song, called “Bear Hunting Armor”, which was released by Prague indie band Ending, in 2018. The Musical clip, the imagery of which clearly borrows heavily from the now famous photography, can be viewed below. The band themselves described the song as having been “Inspired by Siberian Bear Hunting Armor from the 1800s”.

In fact, no conclusive evidence is available as to the costume’s precise origins – its purpose, date of creation, or the geographic and cultural background from which it emerged – although it is a true historical artefact. and that the widely shared photograph of it be authentic. .

In addition, there are good reasons to doubt the accuracy of the explanation of the “Siberian bear hunt” which has become popular. As such, we assign a rating of “unproven”. If decisive evidence emerges, we will update this fact check accordingly.

The photo in question appears to have been taken by Malcolm kirk, a famous photographer based in New York. In 2012, the Victorian Adventure Enthusiast blog wrote about the artifact, claiming to have confirmed to Kirk’s representatives that he did take the photo.

As of July 2021, the costume itself was housed at the Menil Collection in Houston, Texas – a Museum which contains the private collection of art and artefacts from Menil’s Franco-American family. The museum website presents various photographs of the costume, which is presented as part of the exhibition “Witnesses of a surrealist vision”:

The Menil Collection describes the exhibition, which opened in 1999, as follows:

This unique installation presents a culturally heterogeneous collection of more than 150 objects from the permanent collection of Menil or on long-term loan from members of the Menil family. Ritual and everyday objects, mainly from indigenous peoples of the Pacific Islands and the Americas – whom the Surrealists considered to be “witnesses” to the universality of their own visual and literary artistic practices – are exhibited with 19th century European astrolabes, anamorphoscopes, and other devices that offer alternative ways of perceiving and understanding reality.

So we know the costume is real, who it belongs to and where it has been displayed for the past 20 years, and we know that the widely shared photograph is genuine, along with the name of the photographer who captured it. However, the precise origins of the costume remain elusive.

In his 2014 master’s thesis, available in full here, Kristen Strange of Arizona State University has written at length and in great detail on “Witnesses to a Surreal Vision.”

As part of her research, she reviewed documents relating to the acquisition of the costume, which was also frequently referred to as “Wildman,” as well as correspondence involving Dominique de Menil, co-founder of the museum, with her husband, John; their daughter, Adélaïde de Ménil; and Edmund Carpenter, Adelaide’s husband and American anthropologist who originally organized the exhibition.

Despite his careful examination of these documents and archives, Strange found no evidence to definitively pin down the suit’s exact origins, but did uncover some interesting background information and clues that the outfit may in fact have originated from Germany. or from 18th or 19th century Switzerland. , rather than 19th century Russia. She wrote:

The Savage Man, an essential object in the early planning stages of the exhibition, was called “the porcupine man” in the correspondence between Dominique de Menil and Edmund Carpenter.

… Carpenter was probably drawn to the Wildman’s weird look and tale, and displayed this costume in his office for many years before it was included in “Witnesses.” There has been some uncertainty about the original culture of this object and its original destination. Although it is now believed to have originated from 18th or 19th century Germany or Switzerland, this costume presumably represents a folk figure seen at the Vogel Gryff Festival in Basel, but it was also considered a costume. bear hunting.

… Its provenance dates back to an auction on December 6, 1974 at the Palais Galliera [in Paris], where it was purchased by Adelaide de Menil and Carpenter. The file provides additional documentation and explains that this costume is accompanied by a handwritten note indicating that it once belonged to the “Adamson (naturalists) collection which gave their name to surreal seashells”.

While The Wildman’s true origins remain uncertain, it appears he was described as a bear hunting costume as early as 1998, and possibly before that. In November of the same year, famous conservator Barbara Appelbaum wrote an email to her colleagues at the Global Conservation Forum, seeking advice on using Beva, a specialized adhesive popular among restaurateurs.

In his email, she described the artifact she was working on at the time in terms that strongly suggest that it was The Wildman, especially since her email arrived just a few months before the opening of the exhibition “Witnesses of a surrealist vision” at the Menil Collection. However, it should be noted that in his email Appelbaum questioned the article’s “bear hunting” description:

The item is called a Siberian Bear Hunting Suit, but I suspect it is more likely bear hunting than hunting, as I can’t imagine anyone running around in the woods inside. It consists of leather pants and jacket (and iron helmet) studded with 1 inch iron studs about 3/4 inch apart from each other. The nails are held in place by a second layer of leather that lines the whole and quilted in place between the nails. In areas of wear and flex, such as around the ankles and crotch, the inner layer of leather is worn away, causing the nails to fall out.

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Matt Damon and Adam Driver fight for the life of Jodie Comer http://karolingischeklosterstadt.com/matt-damon-and-adam-driver-fight-for-the-life-of-jodie-comer/ http://karolingischeklosterstadt.com/matt-damon-and-adam-driver-fight-for-the-life-of-jodie-comer/#respond Tue, 20 Jul 2021 15:24:33 +0000 http://karolingischeklosterstadt.com/matt-damon-and-adam-driver-fight-for-the-life-of-jodie-comer/

In Ridley Scott’s “The Last Duel”, Matt Damon and Adam Driver face off in a duel to the death against Jodie Comer. But the first trailer shows that it is the character of Comer who is the main protagonist of the film, and she is the one who really risks her life.

Scott’s film is written by Nicole Holofcener (“Can you ever forgive me”), Damon and Ben Affleck, who also co-star. The historical period drama, based on a true story, opens in theaters at 20th Century Studios on October 15.

Comer plays Marguerite de Carrouges, who claims to have been violently assaulted by a respected knight named Le Gris (Driver). When he denies the accusation, she refuses to remain silent, stepping forward to accuse her attacker and causing Damon to defend his wife’s honor. But if Damon’s character loses in his duel, his life will be in danger.

“I’m risking my life for you,” Damon tells Comer in the trailer. She retorts: “You are risking my life to save your pride.”

“The Last Duel” is based on Eric Jager’s book “The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France”. The book is set in the Middle Ages, but struggles with the standards of etiquette, social aspirations, and justice of the era that could have dire consequences if someone defied the church, the nobility at court, or a teenage king. Women, in particular, had no legal status in society without the support of their husbands, and the trailer for the film highlights these gender policies.

“I love working with Matt, so it was an added bonus to be able to work with him and Ben as actors and writers, with Nicole Holofcener, and I knew it would be a great result,” Scott said in a communicated. . “I had admired the series ‘Killing Eve’ and had been looking for the opportunity to present Jodie Comer in a stimulating role. Her portrayal of Marguerite would make her one of the great actresses of her generation.

Jodie Comer handbag

“This film is an effort to tell the story of a heroic woman in the story that most people haven’t heard of,” the writers said in a statement. “We admired his bravery and steadfast determination and felt that it was both a story that needed to be told and one whose drama would captivate audiences with how it moved us as writers. As we explored history, we found that so many aspects of the formal and codified patriarchy of 14th century Western Europe were still present in a residual (and in some cases almost unchanged) way in society. today. We have chosen to use the device of telling the story from the point of view of several characters in order to examine the immutable fact that although many people who go through the same event come out with different accounts, there cannot be have only one truth.

“The Last Duel” is produced by Ridley Scott, Kevin J. Walsh (“Manchester by the Sea”), Jennifer Fox (“Nightcrawler”), Nicole Holofcener, Matt Damon and Ben Affleck. Kevin Halloran (“Ford v Ferrari”), Drew Vinton (“Promised Land”) and Madison Ainley (“Justice League”) are the executive producers.

Check out the first trailer above.

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Did Sally Beauty Holdings (SBH) outperform other retail and wholesale stocks this year? – July 20, 2021 http://karolingischeklosterstadt.com/did-sally-beauty-holdings-sbh-outperform-other-retail-and-wholesale-stocks-this-year-july-20-2021/ http://karolingischeklosterstadt.com/did-sally-beauty-holdings-sbh-outperform-other-retail-and-wholesale-stocks-this-year-july-20-2021/#respond Tue, 20 Jul 2021 14:59:14 +0000 http://karolingischeklosterstadt.com/did-sally-beauty-holdings-sbh-outperform-other-retail-and-wholesale-stocks-this-year-july-20-2021/

Investors interested in Retail-Wholesale shares should always look for the best performing companies in the group. Sally Beauty Holdings (SBH Free Report) is a stock that can certainly grab the attention of many investors, but do its recent returns compare favorably to those of the industry as a whole? A simple way to answer this question is to take a look at the year-to-date performance of SBH and the rest of the shares in the Retail-Wholesale group.

Sally Beauty Holdings is a member of the Retail-Wholesale sector. This group consists of 211 individual stocks and currently holds a Zacks sector rank of # 2. The Zacks Sector Rankings consider 16 different groups, measuring the average Zacks Rank of individual stocks within the sector to gauge the strength of each group.

Zacks Rank emphasizes earnings estimates and estimate revisions to find stocks with improving earnings prospects. This system has a long history of success, and these stocks tend to be on track to beat the market over the next one to three months. SBH currently sports a Zacks rank of # 1 (strong buy).

Zacks’ consensus estimate for SBH’s annual profit rose 37.05% in the last quarter. This means that analysts’ sentiment is stronger and the stock’s earnings outlook is improving.

Based on the most recent data, SBH has reported 57.59% so far this year. Meanwhile, the shares of the Retail-Wholesale group lost around 2.27% on average. This means Sally Beauty Holdings is outperforming the industry as a whole this year.

To break things down further, SBH is a member of the Retail – Miscellaneous industry, which consists of 19 sole proprietorships and currently ranks 47th in the Zacks industry rankings. This group has lost an average of 12.40% so far this year, so SBH is performing better in this area.

Investors interested in retail and wholesale stocks should continue to follow SBH. The title will look to continue its strong performance.

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Fast-delivery retail startup Jokr raises $ 170 million from investors http://karolingischeklosterstadt.com/fast-delivery-retail-startup-jokr-raises-170-million-from-investors/ http://karolingischeklosterstadt.com/fast-delivery-retail-startup-jokr-raises-170-million-from-investors/#respond Tue, 20 Jul 2021 12:48:00 +0000 http://karolingischeklosterstadt.com/fast-delivery-retail-startup-jokr-raises-170-million-from-investors/
  • The funding round comes four months after the launch
  • Series A Tour led by GGV, Balderton and Tiger Global
  • Jokr lives in seven countries in the Americas and Europe

BERLIN, July 20 (Reuters) – Jokr, the fast-delivery retail platform from German e-commerce pioneer Ralf Wenzel, which has been launched in seven countries since launching just four months ago, said Tuesday raised $ 170 million from investors to stimulate growth.

Delivery veteran Hero (DHER.DE) and Softbank (9984.T) has called the company “Amazon on steroids” and, with revenue doubling every two weeks, is on a high-speed mission to bring 15 minute delivery to the Americas and Europe.

“We really think the world needs a new Amazon,” Wenzel told Reuters. “There is an opportunity to create a faster Amazon, a more personalized Amazon, a more sustainable Amazon, and a more local Amazon.”

The exceptional Series A funding round was led by Silicon Valley investor GGV Capital, London-based Balderton Capital and prolific Tiger Global Management.

Tiger Global, which participated in Jokr’s roundtable earlier this year, has also supported fast-commerce startups, including Getir and Wolt. Read more

Venture capital lavished on fast-commerce startups seeks to capture a radical shift in spending habits as people increasingly order through a smartphone app and take delivery in less time than it takes to order. get to the local store.

Wenzel said the typical new Jokr customer would only buy one or a few items to try out the service. Many, in a short period of time, are replacing their traditional grocery store by placing several larger orders per week.

“We have grown much faster than we thought, but the rapid growth was not due to a burnout or large discounts,” Wenzel said in an interview.

“The rapid growth was supported by strong organic momentum – very strong word of mouth, very high retention rates, very strong adhesion.”

By acting as a retailer rather than a market, Jokr can directly order more goods – cutting out middlemen and realizing strong margins, meaning that its first locations are already breaking even on a cost basis. fully charged costs.

On the American continent, Jokr is now present in New York, where it is headquartered, as well as in Sao Paolo, Mexico City, Bogota and Lima. In Europe, it was launched in Warsaw and Vienna – avoiding higher-cost markets like London and Paris – with more deployments to come.

“We are already in a position to show investors that this is not just a high growth company, but also a company that we are able to manage effectively,” said Wenzel.

Reporting by Douglas Busvine Editing by Mark Potter

Our Standards: Thomson Reuters Trust Principles.

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